April 1, 2008

NOW THAT'S WHAT I CALL NOISE VOL. 13
CD-R by The Larks Council of England - $5





















1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - Compilation

March 21, 2008

RHYTHMS: On the Work, Translation, and Psychoanalysis
By Nicolas Abraham
Collected and Presented by Nicholas T. Rand and Maria Torok
Translated by Benjamin Thigpen and Nicholas T. Rand
Translated by Jarrod Fowler
JMF031 - M4a Download & Image - Free
Rhythms.m4a
SHUN AS RHYTHM
JMF030 - Texts - Free
to keep clear of; to get out of the way of; to escape from; to eschew.

to avoid deliberately; keep away from. to slight or avoid scrupulously or habitually.
_tion As Rhythm.html
_sion As Rhythm.html
_cian As Rhythm.html
_cean As Rhythm.html
REPETITION: An Essay in Experimental Psychology
By Søren Kierkegaard
-
Translated by Walter Lowrie
Translated by Jarrod Fowler
JMF029 - M4a Download & Image - Free
Repetition.m4a

EITHER/AND/OR/BOTH: A Fragment of Listening
By WTF
Aesthete - Editor - Ethicist

December 25, 2007

SPRING 2008:

'PERCUSSION' AS PERCUSSION

Information as Material is proud to present ‘Percussion’ As Percussion
CD - 22mins - 32pg booklet - 2008 - Product code: 5-060163-970010
















‘Percussion’ As Percussion
is a sonic reading of John Mowitt’s book
Percussion: Drumming, Beating, Striking and an attempt to grasp how rhythm makes sense in music and society. Fowler charts the encounter between theory and practice implied in Mowitt’s book to produce a critique of the ontological delimitation of percussive theory and it’s social consequences for ‘drumming’. This CD, co-produced with Nick Thurston, features a foreword by musician James 'JLIAT' Whitehead, an introductory essay by poet Bruce Andrews, an appearance by vocalist Liz Tonne, and an afterword with John Mowitt himself.
“Jarrod Fowler’s ‘Percussion’ As Percussion is uncanny. On one level, it is utterly surprising, unanticipated and unsettling. It takes the work of reading — the time, the pace, the modes of attention — in directions and to places it rarely goes. Yet for this very reason I found it strangely familiar, utterly attuned to one of the driving theses of the text, the intricately differentiated yet coherent rhythm of the percussive field. Here, reading and listening touch one another in ways that question our relations to both.”
John Mowitt, Professor at the University of Minnesota

November 29, 2007

DONATION AS RHYTHM
JMF028 - Call & Response - $TBD
"Thank you for your support!"


July 1, 2007

VACILLATION AS RHYTHM
OPH7 -50 Split C-60s/Mp3 Downloads - $5/Free
Presented in three movements:
I. I Got Rhythm.mp3
II. _Got Rhythm.mp3
III. Rhythm is_.mp3

June 30, 2007

PROJECTS 2007:

DEPREDATION AS RHYTHM
JMF027 - Mp3 Download & Texts - Free

OswaldToFowler.mp3
“No_es wi__ __ei_ ______ and pi_c_ values a_e __ivial co_ponen_s in __e co_po_a_e _a__oniza_ion of cacop_on_."
"_h___ __r__rm___ r__ht_ _r______t____ ___t____ t_ __rm __r _r______ __r t____t_r_ ___ ___tr______, th___ _h_ _r_ _h_____ th_ __y th_ ____ __y_ th_ m____ _h____ __, rhythm_t__t_, t_m_r____t_ ___ m________t_ ____r __r____ m_____r_, h___ r_r__y ____ _____ __m____t_____ _r___t."
"____ __ ________ __ ___ _____ __________ __ _______ ____________ _____ ("___ ____ _____ __ 101 _______", "_____ ___ ______", "___ ________ __-7" ___.), ___ __ _______ ___________ _____ ____ __________, ___ ____ _________ _______ __ ______ _____ _____ ___-__________ ______ _____."


RHYTHM SCIENCE
AS PERCUSSION
JMF026 - Mp3 Download & Links - Free

MillerToFowler.mp3
Rudiments
1 - 2 - 3 - 4 - 5 - 6 - 7 - 8


DISSEMINATION AS RHYTHM
JMF025 - JLIAT [JLIAT] CDs & Vinyl - Scattered & Spread
"
Rhythm precedes the apriori - rhythm establishes the conditions for the apriori - as also it establishes the conditions for existence - rhythm preceded language and philosophy. If only the absolute is beyond/before rhythm then is rhythm the demiurge - is nihilism the phantasy of a lack of rhythm - rhythm is the source of meaning- and the greatest weight... the eternal return of the same" - JW

A TRAP SET - PUNCTUATION AS PERCUSSION
JMF024 - Mp3 Downloads & Images - Free

01ATrapSet.mp3
02ATrapSetPunctuationAsPercussion.mp3
03PunctuationAsPercussion.mp3











APPROPRIATION AS RHYTHM
JMF023 - 50 MiniCD-Rs
"With all this shit something is bound to get fertilized, don't you think?" - J.K.

January 1, 2007

TRANSLATION AS RHYTHM
Jarrod Fowler is the author of Translation As Rhythm, from Errant Bodies Press.

CD - 77mins - 12pg booklet - 2006 - $10

















Jarrod Fowler’s Translation As Rhythm is an investigation of reference, reflexivity, and stasis through the reactivation of the contents, methodologies, and structures of past compositions. With attention to this CD’s external partaker-specific meaning-making processes, internal associations, and fundamental presentation, Fowler advances a considered historical position of post-conceptual and post-minimal thought, practice and status. The CD specifically references Ludwig Wittgenstein, Erik Satie, John Cage, Joseph Kosuth, James “JLIAT” Whitehead and Fowler himself. Translation As Rhythm’s contents include: percussive sounds conveying periodic and aperiodic structures, speech synthesizers, numerical lists, noise drone, field recordings and a supplementary booklet.

"Jarrod has covered every inch of the CD packaging with manifestations of the concept, translation as rhythm, at the same time keeping it aesthetically pleasing... Jarrod’s work is very straightforward but also very confusing if one expects instant revelation without effort...The question that Translation As Rhythm raises, whether the organization of qualitative transformations is a rhythmic act or sets off a series of rhythmic occurrences, is an interesting one and in truth cannot fully be addressed by language."
"Of all the Cds I've heard this year, Jarrod Fowler's Translation As Rhythm is the one that has raised so many questions it almost seemed impossible to review... Translation As Rhythm demonstrates that there really are no rules to making sound commodities... Translation As Rhythm's working methods are beyond the pieces themselves and become dispersed into the world beyond by patient listening and thinking."
- Marc McLaren, Furthernoise.org
"Interesting? Hell yes! Difficult to understand and get into? Hell yes! I just had to check out his site and learn more. Did I? Hell no! So, what have we here? We have serious art, packed in a normal CD case, presented to the public as music. Is it? You tell me!
- Roel Meelkop, Vital Weekly
"This CD like many other listenings like it goes beyond simple criticism and apart from the performative judgment every other aesthetical consideration becomes useless and above all subjective."
- Andrea Ferraris, Chain D.L.K.

December 25, 2006

DISTRIBUTION (As Rhythm)
Publications available for purchase at:

CTD
Digital Narcis
Metamkine
Minimamedia
Praemedia
Printed Matter, Inc.
Sound 323
Staalplaat

November 29, 2006