DIFFERENT DRUMMER
JMF037
Different Drummer.m4a

If a man does not keep pace with his companions,
perhaps it is because he hears a different drummer.
Let him step to the music which he hears,
however measured or far away.
- Henry David Thoreau

NOISE AFTER ART AFTER PHILOSOPHY
JMF035 - "...there is no final proposition..."
Noise After Art After Philosophy.m4a

DIFFERENCE & REPETITION
By Gilles Deleuze
Translated by Paul Patton
Translated by Jarrod Fowler
JMF033











01. Titles-Legal-Contents-Translator'sPreface-PrefacetotheEnglishEdition-Preface
02. Introduction - Repetition and Difference
03. Chapter I - Difference in Itself
04. Chapter II - Repetition for Itself
05. Chapter III - The Image of Thought
06. Chapter IV - Ideas and the Synthesis of Difference
07. Chapter V - Asymmetrical Synthesis of the Sensible
08. Conclusion
09. Notes
10. Bibliography
11. Index
12. European Perspectives - Blank Pages
13. Difference and Repetition

AFTER HIP HOP, PART 4:
ULTIMATE LESSONS
JMF038

AFTER HIP HOP, PART 3:
DIGGIN' IN THE CONTEXT
JMF036

AFTER HIP HOP, PART 2:
THE SOURCE
JMF034

AFTER HIP HOP, PART 1:
ULTIMATELY BROKE(N) AND BEAT(EN)
JMF032

FORTHCOMING:

'PERCUSSION' AS PERCUSSION
information as material

‘Percussion’ As Percussion is a sonic reading of John Mowitt’s book Percussion: Drumming, Beating, Striking which attempts to grasp how rhythm makes sense. Jarrod Fowler charts an encounter between the theory and practice expressed in Mowitt's book to produce both a critique and a supplement. This project features a foreword by musician James Whitehead (JLIAT), an introductory essay by poet Bruce Andrews, an appearance by vocalist Liz Tonne, and an afterword with John Mowitt himself.

FORTHCOMING:

'PERCUSSION' AS PERCUSSION
information as material

‘Percussion’ As Percussion is a sonic reading of John Mowitt’s book Percussion: Drumming, Beating, Striking which attempts to grasp how rhythm makes sense. Jarrod Fowler charts an encounter between the theory and practice expressed in Mowitt's book to produce both a critique and a supplement. This project features a foreword by musician James Whitehead (JLIAT), an introductory essay by poet Bruce Andrews, an appearance by vocalist Liz Tonne, and an afterword with John Mowitt himself.

NOW THAT'S WHAT I CALL NOISE VOL. 13
CD-R by The Larks Council of England - $5





















1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - Compilation

RHYTHMS: On the Work, Translation, and Psychoanalysis
By Nicolas Abraham
Collected and Presented by Nicholas T. Rand and Maria Torok
Translated by Benjamin Thigpen and Nicholas T. Rand
Translated by Jarrod Fowler
JMF031
Rhythms.m4a

SHUN AS RHYTHM
JMF030
to keep clear of; to get out of the way of; to escape from; to eschew
to avoid deliberately; keep away from. to slight or avoid scrupulously or habitually
_tion As Rhythm.html
_sion As Rhythm.html
_cian As Rhythm.html
_cean As Rhythm.html

+/-

-ION AS RHYTHM
used to turn verbs into nouns; denotes action or condition
an atom that has acquired an electric charge by gaining or losing electrons
-ion As Rhythm.m4a

In those ancient times in which poetry came into existence, the aim was utility, and actually a very great utility. When one lets rhythm permeate speech - the rhythmic force that reorders all the atoms of the sentence, bids one choose one's words with care, and gives one's thoughts a new colour, making them darker, stranger, and more remote - the utility in questION was superstitious. Rhythm was meant to impress the gods more deeply with a human petitION, for it was noticed that men remember a verse much better than ordinary speech. It was also believed that a rhythmic tick-tock was audible over greater distances; a rhythmical prayer was supposed to get closer to the ears of the gods. (Nietzsche 1882-1887/1974, 138)

- Kittler, Gramophone, Film, Typewriter (1986) in idem 1999, 79-80

-ion As Rhythm was commissioned and presented by the Tate Modern as part of:
Media Matters - Friedrich Kittler and Technoculture
Thanks to SK-C

REPETITION: An Essay in Experimental Psychology
By Søren Kierkegaard - Translated by Walter Lowrie
Translated by Jarrod Fowler
JMF029
Repetition.m4a

EITHER/AND/OR/BOTH: A Fragment of Listening
By WTF
Aesthete - Editor - Ethicist
"PHILOSOPHICALLY IRRESPONSIBLE"

DONATION AS RHYTHM
JMF028 - Call & Response - $TBD
"Thank you for your support!"

VACILLATION AS RHYTHM
OPH7 - 50 Split C-60s









Presented in three movements:
I. I Got Rhythm.mp3
II. _Got Rhythm.mp3
III. Rhythm is_.mp3

PROJECTS 2007:

DEPREDATION AS RHYTHM
JMF027 - Mp3 Download & Texts - Free
OswaldToFowler.mp3
“No_es wi__ __ei_ ______ and pi_c_ values a_e __ivial co_ponen_s in __e co_po_a_e _a__oniza_ion of cacop_on_."
"_h___ __r__rm___ r__ht_ _r______t____ ___t____ t_ __rm __r _r______ __r t____t_r_ ___ ___tr______, th___ _h_ _r_ _h_____ th_ __y th_ ____ __y_ th_ m____ _h____ __, rhythm_t__t_, t_m_r____t_ ___ m________t_ ____r __r____ m_____r_, h___ r_r__y ____ _____ __m____t_____ _r___t."
"____ __ ________ __ ___ _____ __________ __ _______ ____________ _____ ("___ ____ _____ __ 101 _______", "_____ ___ ______", "___ ________ __-7" ___.), ___ __ _______ ___________ _____ ____ __________, ___ ____ _________ _______ __ ______ _____ _____ ___-__________ ______ _____."


RHYTHM SCIENCE AS PERCUSSION
JMF026 - Mp3 Download & Links - Free
MillerToFowler.mp3
Rudiments
1 - 2 - 3 - 4 - 5 - 6 - 7 - 8


DISSEMINATION AS RHYTHM
JMF025 - JLIAT [JLIAT] CDs & Vinyl - Scattered & Spread
"Rhythm precedes the apriori - rhythm establishes the conditions for the apriori - as also it establishes the conditions for existence - rhythm preceded language and philosophy. If only the absolute is beyond/before rhythm then is rhythm the demiurge - is nihilism the phantasy of a lack of rhythm - rhythm is the source of meaning- and the greatest weight... the eternal return of the same" - JW

A TRAP SET - PUNCTUATION AS PERCUSSION
JMF024 - Mp3 Downloads & Images - Free
01ATrapSet.mp3
02ATrapSetPunctuationAsPercussion.mp3
03PunctuationAsPercussion.mp3











APPROPRIATION AS RHYTHM
JMF023 - 50 MiniCD-Rs
"With all this shit something is bound to get fertilized, don't you think?" - J.K.

TRANSLATION AS RHYTHM
from Errant Bodies Press.
CD - 77mins - 12pg booklet - 2006

Translation As Rhythm is an investigation of reference, reflexivity, and stasis through the reactivation of the contents, methodologies, and structures of past compositions. With attention to this CD’s external partaker-specific meaning-making processes, internal associations, and fundamental presentation, Fowler advances a considered historical position of post-conceptual and post-minimal thought, practice and status. The CD specifically references Ludwig Wittgenstein, Erik Satie, John Cage, Joseph Kosuth, James “JLIAT” Whitehead and Fowler himself. Translation As Rhythm’s contents include: percussive sounds, speech synthesizers, noise drone, field recordings and a supplementary booklet.

DISTRIBUTION (As Rhythm)
Publications available for purchase at:
CTD
Digital Narcis
Metamkine
Minimamedia
Sound 323
Staalplaat