Jarrod Fowler

noreply@blogger.com (Jarrod Fowler) — Sat, 20 Mar 2010 04:03:00 +0000

ETERNAL RHYTHM
JMF059

noreply@blogger.com (Jarrod Fowler) — Sat, 20 Mar 2010 04:02:00 +0000

SP-FOWLER

JMF058

noreply@blogger.com (Jarrod Fowler) — Sat, 20 Mar 2010 04:01:00 +0000

JLIAT - STIMMUNGEN UND ZUSTÄNDE DES GEISTES
DASEIN: MORNING | EVENING
READING KANT: IN THE RAIN | IN THE SUN
JMF057

noreply@blogger.com (Jarrod Fowler) — Sat, 20 Mar 2010 04:00:00 +0000

PATTERN MISUNDERSTANDING

JMF056

noreply@blogger.com (Jarrod Fowler) — Mon, 21 Dec 2009 05:04:00 +0000

A NON-DICTIONARY OF NON-MUSIC

Collection of non-autopositional universes obtained by the reiteration of a universal pragmatics in a material of philosophical and regional terms; open list of non-conceptual symbols obtained on the basis of a list of philosophical concepts.

JMF055

noreply@blogger.com (Jarrod Fowler) — Mon, 21 Dec 2009 05:03:00 +0000

SILENCE FROM 'STRUCTURES FROM SILENCE'
~~rhythmless~~
1. _e_lec_i_ns in S_s_ensi_n
2. __ie_ __ien_
3. S___c___es ____ Silence
JMF054

noreply@blogger.com (Jarrod Fowler) — Mon, 21 Dec 2009 05:02:00 +0000

THE RHYTHMS OF 'THE TAO OF PHYSICS'

JMF053

noreply@blogger.com (Jarrod Fowler) — Mon, 21 Dec 2009 05:01:00 +0000

SYNCHRONICITY: An Acausal Connecting Principle
by C. G. Jung
Translated by R. F. C. Hull
"lucky hit"
JMF052

noreply@blogger.com (Jarrod Fowler) — Mon, 21 Dec 2009 05:00:00 +0000

~~THE SOUNDS OF ELEMENTS INTERACTING IN ECOSYSTEMS WITH NO HUMAN PRESENT~~
JMF051

noreply@blogger.com (Jarrod Fowler) — Sun, 29 Nov 2009 16:29:00 +0000

JMF 050

noreply@blogger.com (Jarrod Fowler) — Tue, 22 Sep 2009 04:01:00 +0000

ELEMENTS OF RHYTHMANALYSIS:
AN INTRODUCTION TO THE UNDERSTANDING OF RHYTHMS
by Henri Lefebvre
Translated by Stuart Elden and Gerald Moore
Typeset by Kenneth Burnley
Rhythmanalysis by Jarrod Fowler

I - The Critique of the Thing
5. concept
6. mechanical - organic - repetition - measure - prime numbers - our - rhythms - products
7. left - produces - event
8. measure - Rhythm - quantitative
9. qualitative - Rational - natural - analytic - and
10. measure - relative - measure - frequency - measure frequencies - almost objects - almost
11. duel - dialogue - two - dialectic - three - triadic
12. world - dialectical - three - 'melody-harmony-rhythm'
13. demonstrate - think - anti
14. proved - rhythm - immeasurable - rhythm
15. rhythm
16. rhythm - Polyrhythmia analyses itself - What is it to think? - rhythms
17. perspective - conception - sensible - no things - rhythms - present - present - presence - secret - no secrets - rhythm - secret - public
18. Secret rhythms - Public - rhythms - Fictional rhythms - Dominating-dominated rhythms - agent - rhythms

II - The Rhythmanalyst: A Previsionary Portrait
19.
20. perfect - garland - metastable
21. present - concrete
22. whole - representations - present - presence - is
23. rhythms - present - magic - images - things - present - present - presence - poet
24. presence
25.
26. work of art - product - thing - is

III - Seen from the Window
27. grasped
28.
29.
30. cyclical - alternating
31. polyrhythmically - present
32. meanings - produced
33.
34. people
35.
36. his time
37.

IV - Dressage
38. natural - natural
39. repetition
40. determines the majority of rhythms
41. rhythms
42. rhythms
43. dressage - rhythms
44.
45.

V - The Media Day
46.
47. here - product
48. immediate - presence - dialogue
49. not of communication
50. the mediatised everyday - simultaneously

VI - The Manipulations of Time
51. Capital and life (the living)
52.
53.
54.
55.
56.

VII - Music and Rhythms
57. aesthetic
58. oppositions - Oppositions - The low and the high. - Vivace-adagios. - beat - Verticality-horizontality. - Tied-staccato. - Logogenic and pathogenic. - expression-signification
59. Sacred-profane. - dances
60. concrete - sound - tone - triadic - Binary
61. dominates - sung - metric - measure - Dionysiac
62.
63. measurement - writing - time - chord
64. also - musical time - body
65. energy - measure
66. real - ethical - catharsis - values

VIII - Conclusions (Résumé)
67. body - polyrhythmic - eurhythmic - isorhythmia - polyrhythmia - Eurhythmia - through rhythms
68. isorhythmia - eurhythmia - preventative
69. into use.

JMF049

noreply@blogger.com (Jarrod Fowler) — Tue, 22 Sep 2009 04:00:00 +0000

BEING AND TIME AND NOTHINGNESS AND EVENT AND RHYTHM
by Martin Heidegger - Translated by John Macquarrie and Edward Robinson
by Jean-Paul Sartre - Translated and with an introduction by Hazel E. Barnes
by Alain Badiou - Translated by Oliver Feltham
Translated by Jarrod Fowler
JMF048
Being_and_Time_and_Nothingness_and_Event_and_Rhythm.mp3

noreply@blogger.com (Jarrod Fowler) — Sun, 21 Jun 2009 04:02:00 +0000

HITS AND MISSES
H_t_ a_d _i_s_s
_i_s _n_ M_s_e_
JMF047

noreply@blogger.com (Jarrod Fowler) — Sun, 21 Jun 2009 04:01:00 +0000

CLOCKED CLOCKING CLOCKS

01. Forematter
02. Preface
01. Frontmatter
02. Historical Sketch
03. Chapter One - Time Zones
03. Kinds of Time
04. The Noon Mark
04. Chapter Two - The Ebb and Flow of Consciousness
05. The Equatorial Sundial
06. The Horizontal Sundial
05. Chapter Three - Jumping Between Time Zones
07. Vertical Direct South Dials
08. The Vertical Direct North Dial
06. Chapter Four - Convergence of Time Zones
09. Vertical Direct East and West Dials
10. The Polar Dial
07. Chapter Five - Crystals of Living Time
11. Vertical Declining Dials
12. Direct Reclining or Inclining Dials
08. Chapter Six - Collective Rhythmicity in a Community of Clocks
09. Chapter Seven - The Singularities of Biochemical Clocks
13. Dials Which Both Decline and Recline
14. The Analemmatic Dial
10. Chapter Eight - Circadian Dynamics and Its Evolution
15. Reflected Ceiling Dials
16. Dial Furniture
11. Chapter Nine - The Shape of the Future
17. Portable Dials
18. The Armillary Sphere
12. For Further Reading
19. Memorial Dials
20. Practical Hints on Dialling
13. References
21. Appendix
22. Bibliography
14. Sources of Illustrations
23. Index
24. Endmatter
15. Index
16. Endmatter

Supplements:
Appx 1º of Longitudinal Rotation
Appx 1º of Tidal Rotation
Appx 15º of Longitudinal Rotation
Appx 30º of Tidal Rotation
Gnomon

JMF044 ↔ JMF046

noreply@blogger.com (Jarrod Fowler) — Sun, 21 Jun 2009 04:00:00 +0000

A RHYTHMIC OCCURRENCE EFFECTED BY A PERCUSSIVE ACT
J MF045

noreply@blogger.com (Jarrod Fowler) — Fri, 31 Oct 2008 04:00:00 +0000

'PERCUSSION' AS PERCUSSION

CD - 24 minutes - 8 panel poster - Digipak with recycled flex-tray
Featuring Bruce Andrews, James Whitehead, Liz Tonne, and John Mowitt
Published by Patrick Lovelace Editions, Brooklyn

'Percussion' conceptually percusses a book about conceptual percussion.

CD track listing:
1. Acknowledgments
2. Preface
3. Introduction: (Re)percussions
4. The End of Senseless Beating
5. Knocking the Subject
6. Different Strokes for Different Folks
7. Sound of the City: A Musician is Being Beaten
8. A Drum of One's Own
9. Notes
10. Works Cited
11. Index
12. Afterword

noreply@blogger.com (Jarrod Fowler) — Wed, 01 Nov 2006 04:59:00 +0000

TRANSLATION AS RHYTHM
from Errant Bodies Press.
CD - 77mins - 12pg booklet - 2006

Translation As Rhythm is an investigation of reference, reflexivity, and stasis through the reactivation of the contents, methodologies, and structures of past compositions. With attention to this CD’s external partaker-specific meaning-making processes, internal associations, and fundamental presentation, Fowler advances a considered historical position of post-conceptual and post-minimal thought, practice and status. The CD specifically references Ludwig Wittgenstein, Erik Satie, John Cage, Joseph Kosuth, James Whitehead (JLIAT) and Fowler himself. Translation As Rhythm’s contents include: percussive sounds, silence, speech synthesizers, noise drone, field recordings and a supplementary booklet.

CD track listing:
1. Wittgenstein to Fowler
2. Satie to Cage to Fowler
3. Variable Occurrences to Fowler to Fowler
4. Kosuth to Fowler
5. Fowler to Fowler
6. Digital Data to Whitehead to Fowler
7. Fowler to Fowler to Fowler
8. Fowler to Fowler

noreply@blogger.com (Jarrod Fowler) — Sat, 29 Nov 1980 05:00:00 +0000

I am a ~~percussionist~~ with a focus about rhythm. In order to affect both change and stasis, I contact systems through practicing anti-musical, meta-musical and non-musical processes. Such patterns might be structured as documents, models and/or site-specific happenings.

'Percussion' As Percussion - PLE - CD 2008
Translation As Rhythm - Errant Bodies - CD 2006

Kill Your Timid Notion - Dundee, Scotland. February 2010
Issue Project Room - Brooklyn, New York. October 2009
The Poetry Project - Manhattan, New York. October 2009
Metro Boston Parks Series 2 - June/July 2009
dublab - Los Angeles, California. May 2009
Deutschlandradio Kultur - Berlin, Germany. March 2009
Pierre Menard Gallery - Cambridge, Massachusetts. November 2008
Tate Modern - London, England. June 2008
Johan Deumens - Holland, Netherlands. April-May 2008
Instal - Glasgow, Scotland. February 2008
New York Art Book Fair - Manhattan, New York. September 2007
Rare Frequency - Newton, Massachusetts. July 2007
Non-Event - Cambridge, Massachusetts. March 2004
ResonanceFM - London, England. November 2003
Metro Boston Parks Series - June/July 2003
...